The Plant That I Am Looking Forward to Growing This Year

Pleione yunnanensisWhile researching plants for a woodland garden design, I came across a cold-tolerant orchid from China. Most cold climate orchids have small, diminutive flowers that can only be appreciated after getting down on your knees and staring closely at them. This orchid was different. The photograph in a book showed a large flower with a description of being up to 8 inches across. The size, shape, and form resembled a Cattleya flower. I immediately thought that I had stumbled across a truly rare find; a large flowered orchid that we could even grow outside in Maine!

After digging a bit deeper into the information about this plant, I found that Pleione yunnanensis is indeed a cold-tolerant orchid in that it could survive temperatures around freezing. To grow it here in Maine, we could grow it outside during the summer and then need to bring it inside as we get near freezing in autumn. I would love to give it a shot as the flowers look absolutely spectacular. The tepals are light-pink and almost form a perfect fleur-de-lis shape. The sepals make a fused tube with fringed edges. I am trying to picture a cluster of these Pleione planted near a bench or even a grouping of them hanging from an arbor as kokedama balls.

P. yunnanensis

Pleione yunnanensis is native to the Yunnan province of China and is reported to grow at higher elevations underneath Rhododendron and along the forest floor under a tree canopy. Once established, this orchid can be propagated by bubil offsets.

Right now, I am looking for plants to grow this year in our gardens at CMBG. Do you know of any suppliers here in the United States? Have you grown Pleione yunnanensis? If so, what else do I need to know about growing these plants?

Rodney

Images: global orchids, flowers web

Divergent Thinking In Order To Converge On A Thought

AAR Garden

Do you ever have periods in your life when you read or hear something profound only to have a similar, reinforcing message come up not soon thereafter from a totally different source? This weekend, while driving back from speaking at the Rhode Island Flower Show, I was listening to the Saturday morning NPR programs. Since I was driving around Boston, I was able to listen to WGBH. The reason I mention this is that WGBH is carved into my memory as it always preceded the beginning of This Old House. The particular program on WGBH was talking about all kinds of innovations in technology. The show’s host was interviewing two technology experts about the far-reaching effects of technology in America today. It was an extremely interesting discussion as one guest was deep into the world of Silicon Valley while the other guest had covered the tech world for years for the New York Times. They were having a back and forth volley of a conversation about the role of computers in today’s world and the possible role of technology in the future. Both guests explained how computers were built to solve problems for the government at first. Then, computers changed to solve problems for businesses. Today, they said, computers are mainly focused on solving problems for us as individuals or as companies like to call us, the consumers.

One of the guests made a point that struck me as rather profound. He stated that for years, computer companies were trying to figure out how to make technology a part of our everyday lives. With the growth of smartphones and the future of portable tech, the wired world is now an integral part of many of our daily routines. He then went on to comment to the host that the future will not necessarily be about who makes the next big device but what can pull us away from our dependence on this tech being with us at every moment. That statement got me thinking immediately: that is the role of gardens, parks, and any other environment that takes the pressure off of the screen and gives you the break or as it is becoming known, the digital detox.

One way that I have started to continue learning while not staring at a screen is by listening to podcasts. I had never compulsively listened to one until chain listening to all twelve episodes of Serial. After finishing Serial, I enjoy listening to several different podcasts while either working out or designing. This morning at the Y I listened to the Love Maine Radio podcast which is affiliated with Maine Magazine. The episode was on illustrators in Maine and why they are inspired to live and work here. The show’s host, Dr. Lisa Belisle, was interviewing a local illustrator and professor, Scott Nash. Nash recounted how he had started his career at a larger office in Boston where he became successful until ultimately, he spent most of his time managing 80 people to do the work that he really wanted to do.

He took a leap and left that gig to move to Maine and begin a career doing what he felt best doing: being creative. He also mentioned that he teaches at the Maine College of Art (MECA). There at MECA, he said that he found it important to teach his students about discipline. Creatives are wired to circle the skies in a mental holding pattern while searching for inspiration. Nash explained that he has the same routine everyday. He gets up and starts to create. He goes throughout his day and once he returns to home at night, he ends the evening in his studio where he again, creates.

Nash also talked about divergent and convergent thinking. Artists tend to be divergent thinkers in that they start with a blank page and begin mining the depths of their creativity in order to determine what needs to go on the page. He said that sometimes, when he or others get into a writing or designing block when the ideas stop, the brain shifts to convergent thinking. We get so focused on that one thing be it a story, a character, or in my case, a plant, that we cannot seem to turn on the creative light bulb even though we keep flicking the switch.

Nash said the best way to overcome a block is to shift into divergent thinking. Either we go for a walk, work out, grab a coffee with a friend, or anything that pulls our brain away from the focus of the work that is causing the block. Over time, that divergence allows us to see the problem in a whole new light.

Pulling the radio show together with the podcast, I sense a need for divergence. For the past three weeks, I have been focused on getting planting designs on paper and plants sourced and ordered. It becomes a long slog when I start to question if the designs are good, are the plants ok, or even am I in the right profession? This week, I am going to lay out a routine to focus on what needs to be done to feed the creative spirit and that divergent soul. As I start to do this, do you have any tips on where or how you find creativity? If you are stuck in a block, what things have you found to break through it and not just get the job done but make fantastic art?

Rodney

Hazel Smith

I have a small, mental list of plants that I really would like to grow here in coastal Maine. It is more of a wish list of sorts, I guess. Where we live and garden falls within the USDA hardiness zone of 6a but I think there is a lot more to this than a rating. Because of where we are sited along the ocean, our temperatures do not fluctuate as often as they would inland. So, if we start having low temperatures near zero, we might be there for 2 to 3 weeks where as some zone 6a’s might have 2 to 3 days near zero and then rocket back up into the teens.

Because of this period of prolonged cold, some of these wishlist plants will just have to wait. I would hate to waste the money and the mental languish of nurturing on such a cherished plant only to have it, poof!, disappear in the wake of an Alberta clipper. Well, it would not really disappear but slowly dry up into a sad, sepia colored version of its summer self.

hazel smith at powell gardens

The one tree that I really have a hankering to grow this year is Sequoiadendron giganteum ‘Hazel Smith.’ I have only seen this tree in gardens 3 times and each time, I stared at her for what probably seemed an awkwardly long time. Hazel or Ms. Smith, shall we say, was probably feeling a bit nervous of this stranger staring at her and eventually taking pictures of all of her sides, including inside of her canopy. There are other giant redwoods, but the blue-green color of ‘Hazel Smith’ sets her apart from her California besties. The color is hard to describe: Comet cleaner green? No, that’s not a good marketing description. Mold on the lasagna you forgot in the work fridge grey? Um, no. How about sea foam blue-green? Maybe. But it still needs work.

Regardless of its named color, it is a striking color that sets her apart in the landscape. Combine the gorgeous color with the soft, upright appearance, and Sequoiadendron ‘Hazel Smith’ is simply unavoidable. She is like the golden retriever puppy of the plant world. You just have to touch her needles because she is so stinking cute.

hazel smith foliage

Ok, onto brass tacks. Sequoiadendron giganteum ‘Hazel Smith’ should be grown in an area with full sun exposure and well-drained soil. The ideal growing climates would probably be between USDA zones 6a and 9. I would give her ample moisture until established in the landscape. The tallest plants that I have seen were nearly 25 feet in height with the ultimate height yet to be determined. I suppose, under the right conditions and once your kids’ kids are having kids, this tree could reach near 100 feet in height. Sequoiadendron giganteum grows quite well along the east coast of the United States but I would suggest that you keep a close eye on her during ice storms. Her branches are not accustomed to the heavy weight of a wicked winter storm bringing ice and sleet so I would be prepared to go out occasionally and beat the ice off with a broom. But not so hard that you beat the branches off. I have seen that done before! (Not by me, of course)

Have you grown Sequoiadendron giganteum and this fantastic cultivar ‘Hazel Smith?’ If so, let me know where you are in the world and how long your plant has been growing.

Rodney

Images: Powell Gardens, American Conifer Society

Seeking Inspiration

3d-Steal-Like-an-Artist-NYT

One of the most influential books that I read this winter was “Steal Like An Artist” by Austin Kleon. A point that really stood out for me from Kleon is the notion to make your own personal design style by combining all of your favorite designers.

Lover's Lane Pool

For garden inspiration, I would start with William Kent’s Rousham and combine that with Beatrix Farrand’s Dumbarton Oaks (pictured above). Both of these gardens made the hair stand up on the back of my neck when I visited them. What is it about these gardens? I think both designers make the garden visit a choreographed experience by arranging the plant combinations into different rooms. At Rousham, the mysterious rill that leads to an octagonal pool is one of the most subtle yet magnetic design elements that I have encountered. Every step I took, the mystery of the curving path with a hidden destination made me smile as I walked along. Its layout was perfect. At Dumbarton Oaks, Farrand’s siting of the ellipsoidal pool with flanking columns is classical but the scale and intimacy is brilliant.

I believe there are elements of both designs in the gardens at Lotusland in California, Chanticleer in Pennsylvania, and Great Dixter in the UK. All three of these gardens are crowd favorites because they are about gardens and plants showcased through differently themed garden rooms. At Lotusland, the entry drive with its subtle curve evokes memories of Rousham and the designer made it their own by flanking the drive with Agave attenuata en masse. The beauty of Chanticleer is that I seem to have a favorite garden each time I visit. The favorites change depending on the plants used or the gardener in the area. Walking through the Asian Woods, curated by Lisa Roper, reminded me of walking through the majestic moss garden in Kyoto. I did not want to leave this garden. Every time that I would feel a transition into another space, I would turn around and explore more, looking for a pathway yet found. Have you ever felt so inspired by something that you did not want to leave? Maybe it was a writer whose books you enjoyed so much that you proceeded to read everyone of their books. I have done this with Seth Godin, Austin Kleon, David Baldacci, Jon Acuff, and Harper Lee. I know that Harper Lee has only written one book but the announcement that she is publishing her second book this summer, made my year complete. Maybe it was a musician whose music seemed to speak to you. I can listen to Vampire Weekend, Miles Davis, The Avett Brothers, John Coltrane, and Charlie Parker at almost anytime of day.

For you, maybe it is a particular artist, athlete, theologian, or chef who inspires you. Whoever they are, do you ever combine their works in your head as you are doing your work?

garden aa

After moving to Maine, I began searching for artists in the state who were doing things differently and making works that they seemed passionate about. I came across the beautiful textiles of Angela Adams who is a native of Maine. She designs her rugs and textiles with a hint of Roberto Burle Marx while being exclusively inspired by the Maine landscape. We contacted Angela and are working with her to produce two gardens at Coastal Maine Botanical Gardens this summer that are inspired by her work. By working with her, we will be able to combine a style that I like with the notion of creating an intimate garden room like the ones at Dumbarton Oaks or Chanticleer.

Next Monday, I will talk more about inspiration and how different artists can influence your work. Or more exactly, how different artists should influence your work.

Rodney

Reminder that the format is to post about design on Monday, plants on Wednesday, and various things that catch my attention on Friday. Be sure to check back or subscribe to Reason to Design, my new blog. You can subscribe by scrolling up and subscribing in the left column. I will not give away your email address! That is bad.

Images: Austin Kleon, Dumbarton Oaks, Angela Adams

Reason to Design

cropped-img_0006.jpgWelcome to my new blog as I will share with you weekly things that inspire me about design. My goal is to post three times per week on Monday, Wednesday, and Friday with Monday being about design inspiration, Wednesday about cool new plants, and Friday about five, six, or seven things that I saw during the week that were so cool.

As this site evolves, look for updates to content and design. Please feel free to reach out to talk about anything that you see here.

-Rodney